Bishop Olek's Devil

Bishop Olek's Devil
Written by	Joshua Dysart & Mike Mignola
Illustrated by	Paul Azaceta
Colored by	Nick Filardi
Lettered by	Clem Robins
Edited by	Scott Allie
OriginallyPublished in	Free Comic Book Day 2008
Collected In
Trade Collection	BPRD Volume 9: 1946

Bishop Olek's Devil:

Bishop Olek's Devil is a short story acting as a prequel to the 1946 series, which featured the same creative team. It introduces the character of Howard Eaton, who alongside Bruttenholm would become a founding member of the BPRD

Publication History:

The 8-page story was one of three published on Free Comic Book Day in May 2008. The story was collected in the TPB 'BPRD Volume 9: 1946'. http://hellboy.wikia.com/wiki/TPB#Vol._9_1946 .

Synopsis:

Narrated from the perspective of Dr. Howard Eaton, this short story recounts how he met Trevor Bruttenholm and their earliest adventure together.

In 1939, Dr. Eaton is working at the British Museum when he is introduced to Bruttenholm. Together they are sent to eastern Galacia to investigate claims by a 'Lord Marko Petrov', who claims to have a long lost grimoire the 'dialogus goetia' a legendary book supposedly written by a Ukranian clergyman, Bishop Oleksander, who in 1592 sold his soul to the devil in exchange for arcane knowledge. After a months travel, Eaton and Bruttenholm arrive at Marko's manor.

In their first night in the manor, the pair are locked in their room by the manor staff and they hear an unsettling weeping sound. The next day they meet the bed-ridden Lord Petrov, who claims to have forgeda path to the extra-dimensional crypt in which the dialogus goetia was kept in order to claim it over two centuries ago. He invites Bruttenholm to take the book. Petrov attempts to tempt him with the power the book will give him but Trevor feigns an un-certainty on the books authenticity to end the encounter.

During the night, Bruttenholm and Eaton escape their room and sneak into Petrov's room. There they are confronted with the sight of the ageing lord being drained by a parasitic demon, which in appearance looks like a monsterous starfish. In their flight, Eaton reaches for the book so they don't lose it. Upon touching the book, Petrov's body turns to stone and shatters and the monster turns its attention to the new host, Eaton. Bruttenholm quickly instructs Eaton to throw him the book so that he becomes the focus of the monsters attention. During his attempted escape, the ghostly voice of Petrov is heard attempting to persuade Bruttenholm that the rewards of the book are worth the nightly visits of the books demonic gaurdian. Bruttenholm is shown into the secret chamber of Bishop Olek where he replaces the book in the dead Bishops hands, thus ending the curse and immediate threat of the monsterous gaurdian.

Eaton reflects on his experience and how Bruttenholm has inspired him to pursue a life of fulfillment and adventure.

References & Style:

The first person style of the narrative and the pairing of Eaton and Bruttenholm is reminiscent of early detective fiction stories such as the adventures of Sherlock Holmes, as well as inspired works which dealt with supernatural themes such as William Hope Hodgsons adventures of Carnacki the Ghost Finder.

The occult grimoire known as the 'dialogus grimoire' may have been inspired by the legends surrounding the Codex Gigas and other real world historical grimoires.